佐藤晃一被誉为日本的“色彩魔术师”,他的作品中充满了对平面设计中艺术表达的探索,其印刷也代表了日本印刷的巅峰水准。他曾说:“在思考平面设计的时候,先撇去它呈现的各种设计及其传递的信息,首先应该将其看作是一件‘墨水附着在纸上的物体’去理解它的美。”
在佐藤晃一去世后两年,佐藤的太太佐藤惠子女士将他的海报赠予了中国的学生们,促成了此次展览的契机。空间设计师用线将海报固定,使海报离开墙面,“悬浮”于空中。自此,观者可以从侧面、背面等不同角度,看到纸张的厚度、透光度、油墨的光泽等等。海报被重新作为“物”被观看,产生出物质的重量感。
Two years after Sato Koichi's passing, his wife, Sato Keiko, gifted his posters to students in China, creating the opportunity for this exhibition. The spatial designer used strings to secure the posters, suspending them in the air and away from the wall. This allows viewers to observe the thickness, translucency, and gloss of the ink from different angles, such as the sides or the back. The posters are thus re-examined as "objects," imbuing them with a tangible sense of weight.
Macao Cultural Affairs Bureau
2021
Curation
Culture
Du Xiao
Han Wenbin
Du Xiao
Han Wenbin
Space Station